Friday, October 15, 2010
It's done.
Friday, July 30, 2010
Some Words on Porches
Well, here it is: “Porches,” that new record we’ve been writing about. We like it. Produced by our drummer Jason, who did all the technical stuff, we made a recording we are proud of, and we did it in our own house. I guess that isn’t unusual or special in the wider world of music; many of my favorite bands do just that, but it’s the first time for us. (Ok, we did Six Sad Songs, but this is the first time as a “band.”) I’d like to think we can all pat ourselves on the back. Then, we will pray that you all will too. We love patting. A lot.
Some words about the songs are in order. It has seven of them – three by penned by Jason, one by Cory, and three by me. Four of them have appeared on previous recordings, three from the already mentioned “Six Sad Songs” and one from our first EP. They were all solo recordings originally, but for this we added the whole band.
Three are entirely new, unless you’ve been to any of our recent shows, and I think they deserve some special mention. “Bottles” is a collective effort. Musically, it breaks down like this: verse by me, chorus by John Gordon, and bridge by Jason Bolinger. I wrote all the lyrics, which is a rare and sweet thing for me. The other two are by Jason. “Ride with Me” is about the love of touring and features two fun experiments: I play some slap upright bass for the first time on record, and Cory plays a badass guitar solo. I think he’s recorded guitar solos before, but this is the first one that’s badass. “A Well Lit Room” is the newest, and as far as I’m concerned, it’s the hit of the whole project.
We’re also giving it away for free. You can just go to our website, add yourself to the mailing list, and we’ll give you a nifty code so you can download it. Please do, and tell us what you think. Either way, good or bad, just pat us on the back.
-Troy
Recording Notes, Part VII: Carl's Note on Mastering
My analog chain was:
* API 5500 EQ
* Millenia NSEQ-F EQ
* Manley Massive Passive EQ
* API 2500 compressor
* Requisite L2M mk. III tube limiter
In the box, some software EQs complemented my analog chain, and I did final peak limiting via plugin as well.
The band really liked the first pass, but requested more presence for the upright bass. A subtle push at around 200hz on the mid channel using a mid-side EQ did the trick. They also wanted less "slap" from the upright bass on track five. Some creative notching EQ alleviated that, and voila, the record was done. Mostly painless!"
Monday, July 26, 2010
Get new "Porches EP" for free now!
Monday, June 28, 2010
Jason's Notes on Recording, Part VI: Mixing
Monday, June 14, 2010
Jason's Recording Notes for Our Upcoming EP "Porches"
Part I:
I’ve had a Tascam 424 mkII for 15 years now. It’s just a 4-track cassette recorder. I’ve used it for almost every band I’ve ever been in and recorded many of my friends’ bands too. Trying to make 4 tracks work has always been a challenge. It was always great to hear people say “wow, you did that with only a 4-track”. As much fun as I had with the old Tascam, I’m happy that we’re upgrading in home recording. With a recommendation from our studio producer, I just picked up a Zoom R16 (16-track digital recorder). And that is what She Swings, She Sways is recording their newest EP “Porches” on. At first, I’ve always been skeptical of the brand Zoom. They were always just a guitar FX company in the 90’s and definitely on the cheap end. But after reading tons of reviews, I decided that this was the device that was going to put the 4-track to rest. Can’t wait to not have to bounce tracks!
Part II:
For a band that has been together for 5 years, it doesn’t feel like we’ve done much recording. We’ve made 2 six song EPs and a full length album. We’ve also recorded one song for a tribute album “Crystalline” for The Nadas. I think we always wanted to make more records, we just didn’t find the time. That’s why we’re all pretty excited about this. The plan is to write/record/release 3 EPs over the next 6 months. With the band now being a 3-piece, it’s even that more important that we generate new content. Content that represents the current configuration.
Part III:
We start with the title “Porches”. I think Troy came up with the name. He likes to name things. He noticed that several of the songs for this EP referenced porches in the lyrics. Porch sitting has always been a part of my and Troy’s life for years. We’d sit and talk about the world for hours on end. Just hanging out and talking. It’s what we do. It’s what the band does. We like to sit and talk and shoot the shit. Good times. So it was definitely a title that we could all get behind.
Part IV:
The songs. We settled on 7 songs for “Porches”. A few of them had been written for a while and a few of them are brand new hot off the presses. 3 songs are Troy’s. 3 songs are mine. 1 song is Cory’s. 2 of Troy’s are older songs that have never had a band arrangement before. For both of them, we just sat down one day and BAM! They just came out. We had a renewed energy when we became a 3-piece. There was a new joy trying to come up with new arrangements. We were having fun again.
Recording “Porches” has been really fun, easy, and stress free. Not that we haven’t had a blast recording with Nails at Appleseed, we have nothing bad to say about that. And we look forward to recording there again. But doing this new record in our home... it’s just been super comfortable. We just practiced the hell out of the songs. One day we set up mics on the drums and got them recorded in a few hours. 2 days later, we recorded the upright bass in a couple hours. 2 days later we got all the guitar tracks done. Next day we got the harmonica, mandolin, accordion done and most of the vocals. In one week’s time, we’ll have everything recorded. There are some really sweet pictures on Facebook of the different days. It’s been a great experience that brings back all the fun feelings of using that Tascam 4-track for the first time.
Part VI:
Mixing and mastering. That's where we're at now. More to come. :)
-Jsun